I started this book back in December and have finally reached the end. As I mentioned in the previous post what I do really like and find useful about this book is the good mix of images an text. Another very useful feature is at the back of the book is a pictorial survey of modern painting with key paintings displayed in chronological order, it makes you appreciate the general trends but also pieces that at the time bucked the trend.
What this book has made me think about in a lot of detail is how movements are formed, how they develop and how they change. Is it a case of being in the right place at the right time? Certainly in the past I think that was a key issue, people had to geographically relocate to be at the hubs of activity in Germany, Paris, New York etc. Is that still the case today? I don’t think so, due to the influence of social media, better transport, video links, electronic communication and ease of communication in general. I do still think there is a massive importance on reading about other artists, looking at work from both the past and current exhibitions and linking in with people as much as possible. I don’t think it is possible for someone working in pure isolation to get their ideas on the main stage. By nature I am quite introverted and generally like to work alone, I’m also not that confident in sharing my work and tend to back out of discussions but I need to push myself out of my comfort zone slightly and get more involved with other people working. Studying with the OCA is quite isolating in that we don’t work together in studios and see each others work regularly, we rely on people posting online and you never really get a true sense of a piece of work from just an image. However, we need to make the most of what we do have and that is great internet discussions and I will try and get even more involved in them.
Read H, 1998. A Concise History of Modern Painting .Thames and Hudosn Ltd London